The couple also has a house in Bridgehampton, L.I., and a 60-square-mile holding in Texas, known as Mesquite Ranch, that is being restored, possibly for use as a retreat or conference center. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. An 11th-century abbey revamped during the 18th century, the chateau has perhaps 100 rooms. Whitman brought a suit against Dia, which is pending. (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) When they arrived there from Paris in the early 1940's, they were not yet as wealthy as they would become, but they were almost too interesting. [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. TimesMachine is an exclusive benefit for home delivery and digital subscribers. In 1930 she met the banker Jean de Mnil (who later anglicized his name to John de Menil), and they were married the next year. As it turned out, her parents, thanks to their holdings in Schlumberger, the giant multinational oil-field services company, were en route to developing one of the world's largest private art collections, noted today for its examples of Cubism, Surrealism, African sculpture, Mediterranean antiquities and contemporary works. Actually, her children venerate Dominique almost to the point of copying her.'' Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. In return for her efforts, the Holy Bishopric of Cyprus allowed the works to remain in Houston on a 20-year loan. Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). She began to collect work by contemporary Americans even before her parents did, and exerted considerable influence on their acquisitions in the field. Their associates tend not to be other superrichlings, but artists, film makers, poets, anthropologists, activists, professors, priests and - in the case of Philippa, who is involved with Sufism, an Islamic philosophy - sheiks and whirling dervishes. You can't just expand and expand. [7], The de Menils were particularly interested in modern European art, and a core strength of the collection was the many Cubist, Surrealist, and other Modernist works they acquired. In fact, its long, low bulk looks more like, say, the suburban branch of an elegant department store. An informal art historian and teacher, Dominique has also organized some remarkable exhibitions, innovatively installed. Dominique, who maintains three homes herself, shakes her head indulgently over their ''extravagance.''. When de Menil learned that a group of 13th-century Byzantine frescoes had been stolen from a chapel in Lysi, Cyprus, and cut up by smugglers, she paid the ransom and funded their restoration. . The two met at a ball in Versailles, and were married in 1931, when Dominique was 22 and John was 27 and working in a Paris bank. Dr. Martin Luther King was assassinated, they offered it to the city of Houston on condition that it be dedicated to the black leader. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. In a stronghold of segregation, they not only backed civil rights and Martin Luther King, but entertained blacks at dinner. Following the outbreak of World War II and the Nazi occupation of France, the de Menils emigrated from Paris to the United States of America. Casey Lesser. It will house the more than 10,000 objects acquired by the couple. Philippa de Menil. (One takes off one's shoes on entering.) The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. [1] American Sufi leader The Fathers, too, can now see both sides. Philippa de Menil New York. Initially the stated aim as written in its first report was to "plan, realise and maintain public projects of artists. (Philippa's first name was changed to Fariha when she converted to Islam during the wedding ceremony to Heiner) and co-founded Dia with Helen Winkler in the mid to late 1970s. During an earlier school board election, the de Menils helped launch the political career of Mickey Leland, a young black militant from Houston's grubby Fifth Ward, who is now serving his fourth term in the United States Congress. I think they're inspired.'' And when John died in 1973, he left his estate in part to Dominique and in part to the Menil Foundation, set up in 1954 to support ecumenism, education, the arts and minority causes. ''Mother lives at two levels,'' says Georges. The enigmatic Friedrich quit New York, disappeared into a wandering, art-mad exile; Philippa de Menil, the embattled heiress, had long since ceased to exist. News Dia Sues Dia: Founders Try to Stop Art Auction. Ever since, Dia's mission has been to commission, support, and present site-specific long-term installations and single-artists exhibitions to the public. You were sharing in the great adventure of making a work of art that was maybe too crazy to realize in any other way.'' After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and architecture. Pianissimo: The Very Quiet Menil Collection., Holmes, Ann, and Patricia C. Johnson. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' The stock decline was an element in the recent heavy retrenchment of the Dia Foundation, entirely supported by Philippa de Menil, to the tune of several million dollars a year. The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. I wanted a wooden one.''. [14] They were instrumental in the Contemporary Arts Association's decision to hire Jermayne MacAgy as its director; she curated several groundbreaking exhibitions, including "The Sphere of Mondrian" and "Totems Not Taboo: An Exhibition of Primitive Art. [1] She was awarded the National Medal of Arts in 1986. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. [11] Influenced by the teachings of Father Couturier and Father Congar, the de Menils developed a particular humanist ethos in which they understood art as a central part of the human experience. ''I went to breakfast, lunch and dinner at their house and met every important person they knew. They had a foreign accent, and political views that for Texas were extremely liberal. Described by another friend as a ''warm, impulsive, kind person who is something of a mark,'' Christophe, in designing costumes for Wilson's theater pieces, discovered a talent for inventing clothes, and has recently set up as a couturier. Dia Art Foundation, American foundation that supports contemporary art and artists, est. ''If it hadn't been for them, we wouldn't be here,'' says Father Frank H. Bredeweg, now president of the college. THE DE MENILS' civil-rights activities earned them epithets ranging from '''radical chic'' to ''Communist.'' French expats who left Paris for the United States during World War II, the de Menils were the heirs to multiple fortunesincluding Dominique's family's booming oil equipment company . De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. Today, Dominique says, her relationship with the still-small institution is ''very friendly. John listened patiently to the telephone tirade and then said, ''Listen, my friend, why don't you come to my house for a drink? And in a place where modern art was still regarded with suspicion, these ''pioneer cultural wildcatters,'' as one Houstonian calls them, established one of the world's outstanding collections, mounted shows and gave works to institutions - adding insult to injury by bringing the artists themselves to town. Believing in art education and - though committed Catholics -religious ecumenism, they saw in St. Thomas, run by the Basilian Fathers, a chance to further the school and their causes. And she goes on collecting - though at a much slower pace, she says, because prices have risen so high. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. They also set up a media center, an undergraduate film school whose instructors included the film directors Roberto Rossellini, Jean-Luc Godard and Michelangelo Antonioni. [22], Their most controversial action on behalf of civil rights was their offer of Barnett Newman's Broken Obelisk as a partial gift to the city of Houston in 1969, on the condition that it be dedicated to the recently assassinated Martin Luther King Jr.[23] The city refused the gift, sparking a controversial debate[24] that ended only when the de Menils purchased the sculpture themselves and placed it in front of the newly completed Rothko Chapel. Photography became an important component of the collection, which includes works by Eve Arnold, Henri Cartier-Bresson, Danny Lyon, Hans Namuth, and Eve Sonneman. Additionally, they have a manicured beachfront estate on Fishers Island, off Connecticut, and a house in Paris. (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. ''Wasn't I there?'' They began to concentrate on the more established Museum of Fine Arts. [6], "Shaykha Fariha al Jerrahi | WISE Muslim Women Shaykha Fariha al Jerrahi", https://en.wikipedia.org/w/index.php?title=Fariha_al_Jerrahi&oldid=1096401510, This page was last edited on 4 July 2022, at 07:16. As a result, Georges's wife Lois has been appointed to Dia's reconstituted board, and Heiner has resigned. ''It was very grand and typically him,'' says Adelaide. The black under-taker who attended him provided a plain, rope-handled pine coffin, which was transported by Volkswagen van to the de Menils' parish church. by Paula Newton November 11, 2013. by Paula Newton November 11, 2013. Heiner has helped me step out into life.''. For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. Georges and Lois de Menil have not lagged behind. Inevitably, John's impulse to control brought him into conflict with other trustees, notably John Blaffer, son of a powerful Houston family. Though the building is not loved by some of Dominique's children, it is hoped that eventually the varied holdings of all of them will repose there, too. She received direct transmission from him in 1980. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. ''John's feeling for the underdog really started in his childhood,'' says Dominique. They ultimately amassed more than 17,000 paintings, sculptures, decorative objects, prints, drawings, photographs, and rare books. Explains William Camfield, whom the de Menils brought over as professor of art history from St. Thomas, ''At Rice, the de Menils said, 'Let's see if it works and if you like it. ''', Dominique's craving found expression during the couple's frequent visits to New York in the 40's and 50's, where they met Father Marie-Alain Couturier, a French Dominican priest who spent the war years there. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. Heiner Friedrich and Fariha Friedrich (formerly Philippa de Menil), who to find the word you're looking for. THE DE MENILS' IN-volvement in the Houston art world began in the 1940's - an inevitable consequence of Father Couturier's evangelism. Dominique, who from childhood had an impulse toward collecting, acquiring such objects as ''shells, cut-out images, exotic seeds,'' attributes her interest in art -late-blooming as it was - to her mother, who would have collected, save for her husband's disapproval. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. Yet for all her protests, her modest, low-key bearing conceals the drive of a captain of industry, and one of her associates says, ''The phrase 'steel butterfly' was coined for her. ''We even borrowed money to buy art. Dominique de Menil appears regularly in Forbes magazine's annual listing of the 400 richest people in America, with an estimated worth of ''at least'' $200 million in Schlumberger stock and art alone. We - my brothers and sisters and I - each have a different focus. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. The Rothko Chapel, with its sculpture, Barnett Newman's ''Broken Obelisk,'' expresses their involvement not only with art, but with politics and religion. [21] Other filmmakers who visited the Media Center included Ola Balogun, Bernardo Bertolucci, James Blue, Jim McBride, and Colin Young. Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. The big, Orientally carpeted chambers, including a prayer room, are accented by Dan Flavin's sculptures of fluorescent light, among other works, and on one wall hangs a portrait of the Friedrichs' late Sufi guru, Sheik Muzaffer Ozak. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. ''Before that it was the old Bourbon alliance, blue-collar whites and white-collar businessmen. [8][9] De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". In 1983, the foundation listed assets of approximately $30 million in art and real estate. They maintained residences in New York and France but settled in Houston, where John would eventually become president of Schlumberger Overseas (Middle and Far East) and Schlumberger Surenco (Latin America), two branches of the Houston-based oilfield services corporation. Guided by her longtime companion, the anthropologist Edmund Carpenter, she has acquired a formidable collection of objects from tribal cultures - Peruvian feather hangings, Polynesian sculptures, Eskimo carvings, masks by Northwest Coast Indians. De Maria had traveled to Santa Barbara for his mother's 100th birthday in early June; however, he went on to . Philippa De Menil Bio Details Full name Philippa De Menil Gender Female Age 71 (approx.) [1], She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. For the marriage, Dominique converted to John's Catholicism, a move that at first shocked her clannish family. Rites were performed not only by a Catholic prelate, but a black Baptist minister, a rabbi, and a Buddhist priest. But Heiner lives in a dream. [26] It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious leaders, scholars, and musicians from four continents. A more reticent, but still attention-getting, project is Adelaide's 40-acre housing complex, set in a former potato field not far from Francois's establishment. "[8] Piano's understated design for the Menil Collection echoed the architecture of the surrounding bungalows, which had been painted gray by the Menil Foundation, and featured a roof of canopy leaves that allowed filtered natural light to fill the galleries. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. * In the early 1990s Dia became a And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. Collector-watchers point out, however, that - starting later and with less money - the de Menils have not yet managed to give us the equivalent of the Cloisters, the Museum of Modern art and Colonial Williamsburg. Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. Then you can see how a Communist lives.'' Giovannini, Joseph. It is named for the late Abstract Expressionist painter Mark Rothko, whom the de Menils commissioned to do 14 dark, meditative paintings that are the only adornment of the octagonal building. And next month, Dominique de Menil, the family matriarch (her husband John, ne Jean, died in 1973), will see the completion in Houston of a new $21 million museum known as the Menil Collection, minus the de, in the interest of simplicity. Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. But when the artist arrived, she appeared for a moment only. THE NEW BUILDING will be close to another, even more un-Houstonian de Menil monument. Adelaide, two years younger and known as Addie to the family, is a photographer, and travels with Ted Carpenter on a far-flung anthropological and collecting beat. '', See the article in its original context from. Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes., Last edited on 16 December 2022, at 21:42, Houston-based oilfield services corporation. The issue was really the kind of institution St. Thomas was to be - would it maintain its Catholic identity or would it become a secular college? Essays and short texts describe the de Menils' collecting; their patronage of modern architecture; their promotion of film as an art form; their struggles . THE DE MENIL FAMILY: THE MEDICI OF MODERN ART, https://www.nytimes.com/1986/05/18/magazine/the-de-menil-family-the-medici-of-modern-art.html. Dominique and John de Menil, circa 1967. (The two recently returned from a trek to western Tibet to take in the ruins of an 11th-century Buddhist temple.) The conflict, as is the case with most de Menil disagreements, actually reveals the strength of the family's ties, according to Ted Carpenter: ''It's like an Italian family arguing over the pasta. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. They hated the result, and hid it away. His interest in architecture, he says, comes from his father and from working with Charles Gwathmey, who designed his East Hampton house. Yet these holdings, together with those of the nearby Museum of Fine Arts and the Contemporary Arts Museum, should boost Houston's cultural status to that of a world-class center for the visual arts. 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